La Sainte Courtisane (pronounced , French for "The Holy Courtesan") is an unfinished play by Oscar Wilde written in 1894. The original draft was left in a taxi cab by the author, and was never completed. It was first published in 1908 by Wilde's literary executor, Robert Ross. It has never been performed, and has been little studied.
Dramatis Personae
• Myrrhina temptress and the "Courtisane" of the title
• Honorius, a hermit of the desert who will not look at women
• First and Second Man, who talk to Myrrhina, provide exposition about Honorius and talk of the gods they have seen.
This unfinished play follows Myrrhina, an Alexandrian noblewoman, who travels to the mountains to tempt Honorius, a Christian hermit, away from goodness with her beauty and wealth. After they talk, he decides to return to sin in Alexandria, while she discovers religion and chooses to remain in the desert.
Wilde had begun work on the play in 1894, between writing Salomé and The Importance of Being Earnest, but he was unable to complete it before his trial and imprisonment. He considered revisiting the play in 1897 after his release from prison, but he then lacked motivation for literary work, although during his imprisonment, it was much on his mind and he had described it in a letter to a friend as one among his “beautiful coloured, musical things”. Before his imprisonment, the fragments had been entrusted to Mrs. Leverson, who in 1897 went to Paris on purpose to restore the manuscript to the author. However, Wilde accidently left the papers in a taxi cab and now only a portion of a first draft survives.
Oscar Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, the early 1890s saw him become one of the most popular playwrights in London. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for "gross indecency", imprisonment, and early death at age 46 because acute meningitis. In many of his works, exposure of a secret sin or indiscretion and consequent disgrace is a central design.
Wilde’s greatest successes were his society comedies. Within the conventions of the French “well-made play” (with its social intrigues and artificial devices to resolve conflict), he employed his paradoxical, epigrammatic wit to create a form of comedy new to the 19th-century English theatre. In rapid succession, Wilde’s final plays, An Ideal Husband and The Importance of Being Earnest, were produced early in 1895. In the latter, his greatest achievement, the conventional elements of farce are transformed into satiric epigrams—seemingly trivial but mercilessly exposing Victorian hypocrisies.
After reading this unfinished work, I felt sad that many of the papers lost and this shows another brilliant side of Wilde. The story of a profligate woman who looks to find a religious believing recluse and convinces him to go to her world. Then things are turned upside down. I found this whole premise extremely interesting and makes one wonder about turning towards sin and the losing your belief.
Dramatis Personae
• Myrrhina temptress and the "Courtisane" of the title
• Honorius, a hermit of the desert who will not look at women
• First and Second Man, who talk to Myrrhina, provide exposition about Honorius and talk of the gods they have seen.
This unfinished play follows Myrrhina, an Alexandrian noblewoman, who travels to the mountains to tempt Honorius, a Christian hermit, away from goodness with her beauty and wealth. After they talk, he decides to return to sin in Alexandria, while she discovers religion and chooses to remain in the desert.
Wilde had begun work on the play in 1894, between writing Salomé and The Importance of Being Earnest, but he was unable to complete it before his trial and imprisonment. He considered revisiting the play in 1897 after his release from prison, but he then lacked motivation for literary work, although during his imprisonment, it was much on his mind and he had described it in a letter to a friend as one among his “beautiful coloured, musical things”. Before his imprisonment, the fragments had been entrusted to Mrs. Leverson, who in 1897 went to Paris on purpose to restore the manuscript to the author. However, Wilde accidently left the papers in a taxi cab and now only a portion of a first draft survives.
Oscar Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, the early 1890s saw him become one of the most popular playwrights in London. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for "gross indecency", imprisonment, and early death at age 46 because acute meningitis. In many of his works, exposure of a secret sin or indiscretion and consequent disgrace is a central design.
Wilde’s greatest successes were his society comedies. Within the conventions of the French “well-made play” (with its social intrigues and artificial devices to resolve conflict), he employed his paradoxical, epigrammatic wit to create a form of comedy new to the 19th-century English theatre. In rapid succession, Wilde’s final plays, An Ideal Husband and The Importance of Being Earnest, were produced early in 1895. In the latter, his greatest achievement, the conventional elements of farce are transformed into satiric epigrams—seemingly trivial but mercilessly exposing Victorian hypocrisies.
After reading this unfinished work, I felt sad that many of the papers lost and this shows another brilliant side of Wilde. The story of a profligate woman who looks to find a religious believing recluse and convinces him to go to her world. Then things are turned upside down. I found this whole premise extremely interesting and makes one wonder about turning towards sin and the losing your belief.
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